Jim Neel / Karen Graffeo
November 13, 2016 – March 19, 2017
Left: Jim Neel, Excavation, 2016, vitreous china, 12 x 36 x 48 inches; Right: Karen Graffeo, Bread, 2013, archival pigment print on exhibition fiber paper, 27 x 46 inches
Connections: Karen Graffeo/Jim Neel showcases two Birmingham artists whose work examines aspects of dislocation inequality, and injustice in marginalized societies. It is the fourth installment of the new Connections exhibition series which focuses on contemporary artists whose work is linked by subject matter and sensibility.
Graffeo’s documentary photographs present a compelling portrait of the inhabitants of Roma (Gypsy) refugee encampments, caravans, slums, and housing projects in Europe. Neel’s evocative ceramic sculptures address the horrific effects of war on children through over-sized and fragmented objects of childhood that appear to have been extracted from a disaster zone. The work of both stems from immersive firsthand experiences in Europe and the Middle East and seeks to bring deeper awareness to important humanitarian issues largely ignored by the West.
Neel’s sculpture, drawings and photography have appeared in regional and national exhibitions including the New Orleans Contemporary Arts Center, the Montgomery Museum of Fine Art, and the Alexandria Museum. As a freelance photojournalist, he covered the wars in Central America and life and death among the Serpent Handling Holiness of Southern Appalachia.
The Way We Were:
American Paintings from the Lowe Collection
October 30, 2016 – February 5, 2017
Join us for the public debut of a selection of striking works from this prominent local collection, focused early 20th century oil paintings and watercolors in the American realist tradition. Director of Curatorial Affairs Peter J. Baldaia considers the Lowe Collection “a true hidden treasure in Huntsville.”
Featured in the Chan Gallery will be approximately 30 accomplished landscapes, genre scenes, and portraits executed in the American Impressionist style by critically recognized artists of the period, including Emile Gruppe, Jane Peterson, Martha Walter, Guy Wiggins, and Mabel Woodward. Organized by HMA.
Exhibition Sponsors: Kathy and C.H. “Tony” Chan
Huth, Boeing, Salmon, Haws, and Chan Galleries
October 16, 2016 – January 22, 2017
Animation director and artist Charles Martin “Chuck” Jones brought an unparalleled talent for comic invention and a flair for creating distinct, memorable characters to the art of film animation. “What’s Up, Doc? The Animation Art of Chuck Jones” is a new Smithsonian traveling exhibition that reveals the creative genius behind some of the most enduringly popular cartoons and animated films of all time. The exhibition is a partnership between the Smithsonian Institution Traveling Exhibition Service, The Academy of Motion Picture Arts and Sciences, The Chuck Jones Center for Creativity, and the Museum of the Moving Image.
Explore the creative genius, influences and legacy of animation director and artist Chuck Jones through 23 animated films and more than 125 original sketches and drawings, storyboards, production backgrounds, animation cels, and photographs. Organized by the Smithsonian Institution Traveling Exhibition Service, The Academy of Motion Picture Arts and Sciences, the Chuck Jones Center for Creativity, and the Museum of the Moving Image.
Follow this link to see images from Craig Kausen’s visit to the Huntsville Museum of Art.
Craig Kausen, Chuck Jones’s grandson, discussed the inspirations and influences that affected and contributed to the creative genius of Chuck Jones, including his early childhood, attendance at Chouinard Art Institute, his time at Warner Bros. Animation Studio, the recognition of his peers (receiving multiple Academy Awards, including a Lifetime Achievement Award in 1996), and the legacy and influence he engendered and left behind after his passing in 2002.