Master Artist Workshops
Scroll down the page for each Master Artist Workshop listed below. Workshops are held in the Museum Academy classrooms located downstairs in the Museum. Enter on the North Patio – pond side at Big Spring International Park. Look for the Museum Academy entrance!
If you are interested in a Master Artist Workshop that is full, please email your name and phone number to Laura E. Smith, Director of Education/Museum Academy at email@example.com to be added to the wait list. Members registration fee refers to Huntsville Museum of Art members.
Registration Ongoing until August 17th!
Thursday, August 18, 2016 from 9:00 a.m. from 4:00 p.m.
Friday, August 19, 2016 from 9:00 a.m. from 4:00 p.m.
Saturday, August 20, 2016 from 9:00 a.m. from 4:00 p.m.
Sunday, August 21, 2016 from 9:00 a.m. from 4:00 p.m.
The southern, summer landscape is a marvelous subject for the expression of luminosity and atmospheric perspective. Join in the joy and creativity with Robert Carsten, PSA-MP, IAPS-MP, an award-winning, nationally acclaimed, master pastelist, as he demonstrates a range of range of styles from realism to impressionism and expressionism, while we explore composition, light effect and color as well as pastel application techniques and more. Bring your favorite landscape photos and be prepared for a wonderful learning experience and lots of pastel painting time. Workshop fee is $425 members/$450 non-members. Skill Level: All levels welcome.
This intensive class is designed for individuals with little or no prior drawing training and perhaps believe that learning to draw well is only possible for those lucky people with “inborn talent”. However, it has been proven that the global skill of drawing any perceived object, person or place requires five basic component perceptual skills. These skills are the perception of edges, spaces, relationships, lights and shadows, and the whole or gestalt. Global or whole skills, such as reading, driving and drawing, in time become automatic with the integration of the component skills. Instruction by Brian Bomeisler, Dr. Betty Edwards’ son. Each day begins with a lecture on one of the five skills required. After lectures, students participate in drawing exercises, with Brian’s instruction, through the day. The day will end with a critique of the day’s session. Workshop fee is $1,600 for Museum members or non-members. Skill Level: All.
2016 Master Artist Workshop – Brian Bomeisler – Drawing on the Right Side of the Brain – Follow-On Drawing Class
Saturday & Sunday, October 8 – 9, 2016
9:30 a.m. – 5:30 p.m.
This intensive two-day workshop is designed for those who have completed the introductory Drawing on the Right Side of the Brain Workshop, or have sufficient experience to follow the syllabus. Utilizing approaches developed by Betty Edwards, students gain further understanding of basic perceptual skills. Instruction focuses on expressing volume and space in drawing; exploring crosshatching techniques; and working with still life and the human figure. Students learn how to perceive edges, spaces, relationships, lights and shadows in ways that enlarge their understanding of drawing principles and enhance their drawing skills. Workshop fee is $825 for Museum members or non-members. Skill Level: All.
Day One starts with a slide presentation of various aspects of drawing as we delve more deeply into light and shadow. We look at various artists approach to light and shadow from Michaelangelo to Matisse. Students are taught how to render a simple one point perspective drawing from a series of slides and then begin to explore value scales and crosshatching in drawing. Brian gives a lecture and demonstration of these important skills which constitute the mark of a trained artist.
Day Two begins with a demonstration drawing by Brian of a classic still life of fruit, a bottle and flowers. Following this, students work on a similar still life drawing of fruits and flowers fully articulated in light and shadow. The light and shadow, proportion and volume of this drawing, will be rendered through the skill of cross hatching. In the afternoon, we have a brief lecture on the proportions of the human figure – the ultimate artist’s subject. Students draw the female figure embedding the drawing with all the skills learned: the light and shadow, crosshatching and the use of the hands to sight the composition. At the end of the day we have a critique of all the drawings.
2016 Master Artist Workshop with Ted Nuttall
Watercolor Portraits: Painting the Figure from Photographs
Monday-Friday, November 7 – 11, 2016
9:00 a.m. – 4:00 p.m.
Although painting a person in watercolor may seem daunting, it is every bit as approachable as creating a still life or landscape. Ted Nuttall demonstrates the techniques, and instills the confidence to enjoy painting people. Ted will discuss the benefits of photographic reference, as well as how to interpret a photo in order to give life and energy to the subject. Workshop fee is $675 members/$700 non-members. Skill Level: Intermediate to Advanced.
In Ted’s daily demonstrations and presentations, he shares his personal approach to painting – plus he introduces the work of other artists with the objective of inspiring enriched seeing and thinking skills. What’s more, significant time is allowed for one-on-one instruction. In an atmosphere that’s both creative and supportive, Ted encourages, in each participant, a renewed enthusiasmfor his or her art – regardless of their skill level.
Ted Nuttall’s Biography: A graduate of Colorado Institute of Art, Ted Nuttall is a figurative artist whose painting expression was born out of his observation of people. Ted is a signature member of the American Watercolor Society, National Watercolor Society, Watercolor West, Western Federation of Watercolor Societies, and enjoys Master Status with the Transparent Watercolor Society of America.
Explore the technique of collage and décollage as strategies for mixed media works of art with artist and educator Jean Hess. She will give a brief lecture and discussion about the essence of collage with varied examples.Workshop fee is $275 members/$300 non-members. Skill Level: All levels are welcome.
Day One: Create “traditional” collages on a backing or substrate using the more common methods of joining or overlaying materials such as gluing, acrylic resins and paint. Use found materials – the everyday, the damaged, the discarded and layering followed by removal of portions. Techniques include but not limited to spilling, breaking, crushing, marking and chance juxtapositions of materials. Impact of natural processes such as fading, dissolving, abrasions and scarring are also incorporated. Backing or substrates can include wood, canvas, paperboard, fabric, glass (clear; mirrored), metal, leather, bark, plastic, ceramic, vellum. Other aspects of collage to consider are self-imposed limitations or discipline: use only what is at hand – found, recycled and swapping and trading materials with other artists.
Day Two: Free-floating collage/assemblage. Using techniques such as stitching, wring, stapling cold figure in place. You do not actually have to begin with a background. Many collage artists have simply connected elements to each other while creating a hanging tapestry or scrim. This may be a more recent phenomenon utilized by such artists as El Anatsui in 2000’s, Howardena Pindell in 1970’s and Pierre Buraglio in 1970’s. Hess will explore the works of historically significant collage artists. She will also demonstrate different surface materials, tools, methods and manipulations.
Jean Hess: A native of Maryland, Jean Hess currently resides in Tennessee. Her work is influenced by her studies in cultural anthropology [U. New Mexico, BA, MA] as well as in art [Maryland Institute College of Art, University of Maryland]. Hess was given a solo show at the Huntsville Museum of Art in 2004, with an award-winning catalogue accompanying that exhibition. In 2013 her work was featured in “Abstract America,” shown at Saatchi Online, curated by Rebecca Wilson, Saatchi Gallery, London. With two other artists her work was featured in a show at Knoxville Museum of Art in 2014.
2017 Master Artist Workshop with Kathy Durdin
Loosening up and Seeing Color Everywhere: Watercolor Portraits
Thursday – Sunday, March 16 – 19, 2017
9:00 a.m. – 4:30 p.m.
Do you find yourself picking up those small brushes too soon? Do you wish you could see more and different colors in your images? Do some colors scare you? Do you always intend to loose some edges but then find your finished paintings very tight? Workshop fee is $425 members/$450 non-members. Skill Level: Beginner to Advanced.
Kathy Durdin is a national award winning watercolor and mixed media artist, and has exhibited and won awards in numerous watercolor exhibits across the US. She is a signature member of Southern, Florida, Texas, Georgia, Alabama, Tallahassee and Florida Suncoast Watercolor Societies. In 2013, she was featured in Watercolor Artist “Ones to Watch”. She was also the 2012 President of Florida Watercolor Society.
She has always loved watercolor as a medium while it is very unforgiving, its freshness cannot be replicated. Her style is loose, to take advantage of the characteristics of the medium.
As an artist, she wants to focus on what she connects with emotionally, people. She finds interesting people, situations and images all the time. She rarely works on posed situations, as she thinks informal interaction much more interesting. Watercolor provides her with a medium that allows her to create with work quickly and create paintings with freshness and immediacy as she expresses herself.
Qiang’s approaches to still-life painting will be demonstrated with particular focus on composing dramatic setups by observing the light distribution, and using bold and loose strokes to create a powerful and accurate representation on canvas. Using demonstrations, presentation, and individual assistance, Qiang will explain his process of creating energetic paintings by manipulating values, colors, edges, and brushwork. Personal attention will be given to each student according to his/her currently skill level and personal goals in art. The workshop is designed for indoor practice with live settings. Workshop fee is $525 members/$550 non-members. Skill Level: Beginner to Advanced.
Qiang Huang (pronounced as Chong Wong) was born and raised in Beijing China and now lives in Austin, Texas. He has studied art from multiple master artists like David Leffel and Sherrie McGraw. His paintings show remarkable accuracy and expressive brush strokes. Since 2004 his paintings have been selected continuously for the 14th, 15th, 16th and 18th Oil Painters of America’s National Juried Exhibitions. American Artist Magazine has featured his teaching on the summer issue of the “Workshop”.
2017 Master Artist Workshop with Mel Stabin
Watercolor: Simple, Fast, and Focused
Monday – Friday, April 3 – 7, 2017
9:00 a.m. to 4:00 p.m.
Challenge yourself and go beyond your boundaries in watercolor! Mel will encourage you to experience the magical, spontaneous, and transparent qualities of watercolor and will help you discover that watercolor is at its best when it is set free. Emphasis will be placed on: Gaining more confidence by simplifying your approach to subject matter. Learning to paint with energy and focus. Understanding that clarity of thought and emotion are essential in the medium of watercolor. Bringing more transparency and vitality to your paintings. Workshop fee is $825 members/$850 non-members.
Mel’s workshops, which are designed for beginners to advanced painters, are casual and friendly. This watercolor workshop of painting landscapes and people in landscapes includes: Daily morning demonstrations by Mel in his loose, representational style. The demos are spirited with an easy, open dialogue between Mel and the class with Mel always welcoming questions from students during the demos and throughout the workshop day.
Mel Stabin is an internationally known teacher, author, and watercolorist. A graduate of Pratt Institute, Mel studied the art of watercolor with Edgar Whitney. For over thirty years Mel was an award-winning art director and creative director for major advertising agencies in New York City. He is a signature member of prestigious art societies including the American Watercolor Society, Transparent Watercolor Society of America, North East Watercolor Society, Georgia Watercolor Society, and New Jersey Watercolor Society.
Mel has written numerous feature articles for American Artist, The Artist’s Magazine, Watercolor, Watercolor Magic, & Watercolor Artist and is the author of two popular books, Watercolor: Simple, Fast, & Focused and The Figure In Watercolor: Simple, Fast, & Focused.
Check back soon for additional 2017 workshops!
The closest airport is the Huntsville International Airport. The airport code is HSV.
Here are three places to stay near the Huntsville Museum of Art.
SpringHill Suites Huntsville Downtown (near Museum – not in walking distance)
745 Constellation Place Drive SW · Huntsville, Alabama 35801
Hotel Front Desk: 1-256-512-0188
Homewood Suites by Hilton® (close to the Museum – within six blocks)
714 Gallatin Street SW, Huntsville, Alabama 35801
Hotel Front Desk: 1-256-539-1445
Embassy Suites Hotel & Spa (within two to three blocks)
800 Monroe Street, Huntsville, Alabama, 35801
Hotel Front Desk: 1-256-539-7373
For on-line class registration for more than one student, please submit a class registration form for each student separately.