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X-ORIGINAL-URL:https://hsvmuseum.org
X-WR-CALDESC:Events for Huntsville Museum of Art
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TZID:UTC
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TZOFFSETFROM:+0000
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DTSTART:20200101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20200719T120000
DTEND;TZID=UTC:20200719T170000
DTSTAMP:20260403T221826
CREATED:20190816T200347Z
LAST-MODIFIED:20200521T170013Z
UID:3585-1595160000-1595178000@hsvmuseum.org
SUMMARY:CLOSING DAY - American Master Illustrators
DESCRIPTION:This exclusive exhibition features approximately 35 original works by three of America’s most celebrated and beloved artists — master illustrators Maxfield Parrish\, Norman Rockwell\, and N.C. Wyeth. The stories these artists tell are well-known parts of American history. Parrish used the works of old masters to create his stories\, saying that he used paintings to create his own “world of make-believe.” Rockwell created the small-town America that we all love with his very personal paintings. Wyeth\, the father of artist Andrew Wyeth\, carved out a rich legacy of historical work\, especially his paintings of the West and of Native Americans that illustrated stories in Scribner’s magazines and books. Organized by the National Museum of American Illustration\, Newport\, RI.
URL:https://hsvmuseum.org/eventcalendar/closing-day-american-master-illustrators/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200719T120000
DTEND;TZID=UTC:20200719T170000
DTSTAMP:20260403T221826
CREATED:20200521T183147Z
LAST-MODIFIED:20200521T183147Z
UID:4978-1595160000-1595178000@hsvmuseum.org
SUMMARY:Stephen Longstreet: All that Jazz -CLOSING DAY
DESCRIPTION:Looking at the Collection – Stephen Longstreet: All that Jazz – CLOSING DAY\nSunday\, July 19 | 12 p.m. – 5 p.m. \n \nEnjoy one last chance to view Looking at the Collection – Stephen Longstreet: All that Jazz. The exhibition will be on display 12 p.m. – 5 p.m. on closing day. \nThe Huntsville Museum of Art is pleased to present this exhibition of 27 works on paper by American writer and illustrator Stephen Longstreet (1907-2002)\, whose best-known drawings provide a chronicle of the dynamic and colorful world of jazz during the 20th century. The works were gifted to the Museum in 1985 by the artist himself\, and are displayed together here for the first time. \nBorn in New York City\, Longstreet grew up in New Brunswick\, New Jersey\, where he was introduced to ragtime and jazz by future singing legend Paul Robeson\, then an All-American football player Rutgers University. Their friendship began in 1918\, when Robeson spotted the 11-year-old Longstreet sketching him as he practiced dropkicking. In his 1986 book\, Storyville to Harlem: Fifty Years in the Jazz Scene\, Longstreet explained that Robeson made him “aware of the gap between the music taught on paper and the ‘razzmatazz’ sounds of the scratchy jazz recordings.” \nWhile studying at the School of Fine and Applied Arts in New York in the late 1920s\, Longstreet drew the musical scenes in Greenwich Village\, the speakeasies\, and the Cotton Club in Harlem. “I had hoped to capture with black marks on white paper\, this music created by these people\, and set down what they looked like\, felt and did before they were gone\,” he later wrote. Shortly thereafter\, Longstreet was furthering his artistic studies in Paris\, where he met Picasso\, Matisse and other artists. He also met and drew James Joyce\, and Gertrude Stein\, and the American “jazzmen” who were\, he later wrote\, “escaping from Judge Lynch and the back of the bus.” \nAfter returning to the United States in 1930\, Longstreet traveled south to New Orleans\, discovering the “strange and wonderful sounds” of jazzmen playing in Storyville\, the city’s red light district\, and capturing them in his work. He later drew and painted Count Basie\, Sarah Vaughan\, Billie Holiday\, Duke Ellington\, and other jazz greats. Of Longstreet’s depictions of the century’s jazz scene\, Louis Armstrong wrote in 1971: “You want to feel the smell – the color – the great ‘OH MY’ feeling of the jazzmen\, and stomp around in the smoke and dusk of the joints? Then you just go and locate some of the drawings and paintings of this cat Steve Longstreet and steal you a few.” \nNot only did Longstreet sketch 20th-century jazz greats\, he was noted an author and screenwriter. His career as a writer\, which continued into his 80s\, was as varied as it was long. He wrote detective novels\, radio scripts\, served as a film critic for the Saturday Review\, wrote syndicated book reviews\, and wrote scripts for Hollywood films in the 1940s and television shows in the ’50s and ’60s. A number of Longstreet’s books dealt with jazz\, including Jazz From A to Z: A Graphic Dictionary\, his 100th book\, published in 1989. \n 
URL:https://hsvmuseum.org/eventcalendar/stephen-longstreet-all-that-jazz-closing-day/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200927T120000
DTEND;TZID=UTC:20200927T170000
DTSTAMP:20260403T221826
CREATED:20190820T202218Z
LAST-MODIFIED:20200521T183440Z
UID:3590-1601208000-1601226000@hsvmuseum.org
SUMMARY:CLOSING DAY - Art Deco Glass from the David Huchthausen Collection
DESCRIPTION:CLA Cristallerie – Lamp with fish\, circa 1927-1930\, Press-molded glass on fabricated metal base\, 8 1/4 x 9 x 5 in. \nCharacterized by smooth lines\, geometric shapes\, and bright colors\, the Art Deco glass movement began\, in part\, as a reaction against the elaborate and ornate style of Art Nouveau in the late 19th century. Art Deco Glass from the Huchthausen Collection includes over 100 works in glass from the collection of studio glass artist David Huchthausen. The exhibition features early 20th-century glass by iconic Art Deco studios such as René Lalique\, Daum Frères\, Pierre d’Avesn\, Charles Schneider\, Muller Frères\, Marius-Ernest Sabino\, Steuben Glass Works\, and many others. Organized by the Museum of Glass\, Tacoma\, WA.
URL:https://hsvmuseum.org/eventcalendar/opening-art-deco-glass-from-the-david-huchthausen-collection/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201004
DTEND;VALUE=DATE:20201005
DTSTAMP:20260403T221826
CREATED:20200918T144613Z
LAST-MODIFIED:20200918T144613Z
UID:7030-1601769600-1601855999@hsvmuseum.org
SUMMARY:Docent-Led\, Public Tour: The Red Clay Survey
DESCRIPTION:Docent-Led Tour: The Red Clay Survey: 2020 Exhibition of Contemporary Southern Art\nOctober 4 | 2 p.m. & 3 p.m.\nIncluded with admission\, pre-registration required\n \nRegister for tour\n\nEnjoy an exclusive last look at the Red Clay Survey with a docent-led\, public tour. The tours will take place at 2 p.m. and 3 p.m. and are included with admission\, but registration is required. Learn more and register at the button above. \nThe Red Clay Survey is a major recurring regional competition sponsored by the Huntsville Museum of Art that “takes the pulse” of contemporary Southern art through a selection of work in all styles and media determined by jurors with strong curatorial credentials. The exhibition recognizes and encourages excellence\, and provides a permanent record of the development of regional art through the publication of a comprehensive exhibition catalogue. Selected works will be displayed in 5 galleries in the Museum’s elegant facility\, located in Big Spring International Park in Downtown Huntsville.
URL:https://hsvmuseum.org/eventcalendar/docent-led-public-tour-the-red-clay-survey/
LOCATION:AL
CATEGORIES:Docent-led Gallery Walk,Exhibition Closing,Exhibition Program,Tours
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201011
DTEND;VALUE=DATE:20201012
DTSTAMP:20260403T221826
CREATED:20200918T143822Z
LAST-MODIFIED:20200928T154628Z
UID:7027-1602374400-1602460799@hsvmuseum.org
SUMMARY:Closing Day of The Red Clay Survey
DESCRIPTION:Closing Day of The Red Clay Survey:\n2020  Exhibition of Contemporary Southern Art\nOctober 11 | 12 p.m. – 5 p.m. \n \nEnjoy one last chance to view The Red Clay Survey: 2020 Exhibition of Contemporary Southern Art on Sunday\, October 11. The exhibition can be viewed during the Museum’s normal hours from 12 p.m. – 5 p.m. \nThe Red Clay Survey is a major recurring regional competition sponsored by the Huntsville Museum of Art that “takes the pulse” of contemporary Southern art through a selection of work in all styles and media determined by jurors with strong curatorial credentials. The exhibition recognizes and encourages excellence\, and provides a permanent record of the development of regional art through the publication of a comprehensive exhibition catalogue. Selected works will be displayed in 5 galleries in the Museum’s elegant facility\, located in Big Spring International Park in Downtown Huntsville.
URL:https://hsvmuseum.org/eventcalendar/closing-day-of-the-red-clay-survey/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210103T120000
DTEND;TZID=UTC:20210103T170000
DTSTAMP:20260403T221826
CREATED:20190820T212800Z
LAST-MODIFIED:20201119T155202Z
UID:3602-1609675200-1609693200@hsvmuseum.org
SUMMARY:CLOSING - Hard Earned: The Military Photographs of Stacy Pearsall  and the Veteran’s Portrait Project
DESCRIPTION:Robin Robinson\, ArmyE-5 Logistics and Procurement 1977-1991\, Gulf War\, Multi National Forces EgyptVeterans Portrait Project\, Louisville\, KYVFW Convention(Photos by Stacy L. Pearsall) \nStacy Pearsall got her start as an Air Force photographer at the age of 17. During three combat tours\, she earned the Bronze Star Medal and Air Force Commendation with Valor. She is one of only two women to win the National Press Photographer’s Association Military Photographer of the Year competition\, and the only woman to have won it twice. Though combat disabled and retired from military service\, Pearsall has not let her disabilities hold her back. With her service animal Charlie by her side\, she continues to work worldwide as an independent photographer and is an author\, educator\, military consultant\, public speaker and founder of the Veteran’s Portrait Project. This exhibition presents 45 works highlighting Pearsall’s combat photography as well as selections from her award-winning series\, The Veteran’s Portrait Project. Organized by Syracuse University art Galleries\, Syracuse\, NY.
URL:https://hsvmuseum.org/eventcalendar/closing-hard-earned-the-military-photographs-of-stacy-pearsall-and-the-veterans-portrait-project/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210124T120000
DTEND;TZID=UTC:20210124T170000
DTSTAMP:20260403T221826
CREATED:20200918T154731Z
LAST-MODIFIED:20200918T154731Z
UID:7056-1611489600-1611507600@hsvmuseum.org
SUMMARY:Closing Day: Gloria Vanderbilt
DESCRIPTION:Closing Day\nGloria Vanderbilt: An Artful Life\nSunday\, January 24 | 12 p.m. – 5 p.m.\n\nEnjoy a last look at Gloria Vanderbilt: An Artful Life. The Huntsville Museum of Art is honored to present this exclusive boutique exhibition which not only features memorable photographs of Vanderbilt by Horst\, Jonathan Becker\, Adrián Villeta\, Annie Leibovitz\, and Jack Mitchell\, but also a selection of Vanderbilt’s own artworks\, as well as memorabilia documenting Vanderbilt’s recent association with the Huntsville Museum of Art. Organized by HMA.
URL:https://hsvmuseum.org/eventcalendar/closing-day-gloria-vanderbilt/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210124T120000
DTEND;TZID=UTC:20210124T170000
DTSTAMP:20260403T221826
CREATED:20200918T155041Z
LAST-MODIFIED:20200918T155041Z
UID:7058-1611489600-1611507600@hsvmuseum.org
SUMMARY:Closing Day: Jonathan Becker
DESCRIPTION:Closing Day\nJonathan Becker: Social Work\nFour Decades of Movers\, Shakers & Thinkers\nSunday\, January 24 | 12 p.m. – 5 p.m.\n \nEnjoy a last chance to view Jonathan Becker: Social Work – Four Decades of Movers\, Shakers & Thinkers. American photographer Jonathan Becker began contributing to Vanity Fair magazine on the heels of an especially successful solo exhibition in Chelsea in 1981. His portraits of filmmaker Louis Malle and of his mentor and friend Brassaï featured largely in the pages of prototype for the magazine’s relaunch in 1983. Becker’s specialty in portraits\, photographed by and large on location\, soon became a Vanity Fair staple: Robert Mapplethorpe\, Jack Kevorkian\, Jocelyn Wildenstein\, and Martha Graham\, as well as countless socialites \, artists\, and heads of state. \nAssignments for the magazine have dispatched Becker far and wide – from the Amazonian jungle\, for first-encounter photographs of members of the Yanomami tribe\, to Buckingham Palace\, for the first photographs showing the Prince of Wales and Camilla Parker Bowles together. Becker’s association with Vanity Fair continues to this day. Becker has also contributed portraits and reportage to Town & Country\, The New Yorker\, Vogue\, W\, The Paris Review\, and many other publications. \nThis exhibition features 45 images of movers\, shakers and thinkers taken by Becker between 1976 and 2015\, hand selected by the Museum\, including artists\, authors\, fashion designers\, socialites\, Hollywood celebrities\, and more. Organized by HMA. \n 
URL:https://hsvmuseum.org/eventcalendar/closing-day-jonathan-becker/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210228T140000
DTEND;TZID=UTC:20210228T154500
DTSTAMP:20260403T221826
CREATED:20201221T191129Z
LAST-MODIFIED:20201221T191449Z
UID:7471-1614520800-1614527100@hsvmuseum.org
SUMMARY:Docent-Led Public Tour: The World of Frida
DESCRIPTION:Docent-Led Public Tour:\nThe World of Frida\nSunday\, Feb. 28 | 2 p.m. & 3 p.m. \nREGISTER FOR TOUR\n\nEnjoy a public\, docent-led tour of The World of Frida on closing day. There will be two tours\, one at 2 p.m. and one at 3 p.m. The tours are included with general admission but registration is required. Learn more and register at the link above. \nThe World of Frida celebrates the culture\, style\, and persona of visionary Mexican painter Frida Kahlo (1907-1954)\, an artist who continues to inspire with her story of love\, adventure\, and pain. Celebrated globally today as an iconic\, renegade artist and outspoken feminist\, Kahlo’s life began perilously. Stricken with polio as a child\, and injured as a teenager in a bus accident that left her permanently disabled\, Kahlo was subjected to enormous pain and turmoil early in her life. While recovering from her accident\, Kahlo returned to her childhood hobby — painting. Soothed by the solace of art making\, it was during this period that she decided to become an artist. \nWhile Kahlo’s life was short-lived — she died at 47— her story continues to inspire artists of the 21st century. The 95 international artists featured in The World of Frida have reinterpreted many aspects of Kahlo’s life in an array of media — from honoring her self-portraits\, to depicting her love affair with Diego Rivera\, to recognizing her emotional\, physical\, professional and societal struggles. The exhibition is an incredible tribute to an artist who continues to influence millions by the simple fact that she was always true to herself\, no matter the cost. Organized by the Bedford Gallery\, Walnut Creek\, CA.
URL:https://hsvmuseum.org/eventcalendar/docent-led-public-tour-frida/
LOCATION:AL
CATEGORIES:Docent-led Gallery Walk,Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210328T140000
DTEND;TZID=UTC:20210328T154500
DTSTAMP:20260403T221826
CREATED:20201221T191859Z
LAST-MODIFIED:20201221T191859Z
UID:7473-1616940000-1616946300@hsvmuseum.org
SUMMARY:Docent-Led Public Tour: The Elegant Vessel
DESCRIPTION:Docent-Led Public Tour:\nLooking at the Collection: The Elegant Vessel\nSunday\, Mar. 28 | 2 p.m. & 3 p.m. \nREGISTER FOR TOUR\n\nEnjoy a public\, docent-led tour of Looking at the Collection: The Elegant Vessel on closing day. There will be two tours\, one at 2 p.m. and one at 3 p.m. The tours are included with general admission but registration is required. Learn more and register at the button above. \nAssuming the form of a cup\, bowl\, pitcher\, or vase used for holding liquids or other contents\, the vessel as a utilitarian object dates back millennia. The Elegant Vessel explores this essential form in various guises\, highlighting its inherent beauty as well as its capability to serve as a metaphor for extended meaning. The exhibition includes historical and contemporary works from the Museum’s permanent collection in glass\, ceramic\, metal and wood — all traditional materials used to create functional vessels\, but transformed into fine art in the hands of their skilled makers. Featured artists include Shane Fero\, Benjamin Moore\, Robin Rodgers\, Rosanne Somerson\, and many more. \nThe voluptuous forms of classic vessels provide the inspiration for many artists working today. Dante Marioni reveals a confident mastery of glass in his attenuated blown glass Leaf Vase Pair\, inspired by ancient Mediterranean prototypes. Striking a balance between form\, color\, proportion\, and process are Shane Fero’s engaging flameworked glass Jade Moon Bottle\, Rude Osolnik’s deceptively minimal turned wood Bowl\, and Benjamin Moore’s technically accomplished blown glass Selenium Red Interior Fold Platter. \n\n\n\n\nIn other hands\, the vessel form communicates beyond its inherent timeless beauty. Pat Musick’s steel\, oak and stone wall piece\, Treasure\, captures an essential element of nature in its porous and fluid grasp. And Rosanne Somerson’s mahogany and mother of pearl sculpture\, Lucky at Love\, features a textured iridescent bowl held aloft\, suggesting a metaphorical container for something that cannot be contained.\n\n\n\n\nWith this exhibition we salute the enduring vessel in its many refined possibilities\, and thank those artists whose creative talents have expanded our appreciation and view of this familiar yet iconic form. Organized by HMA.
URL:https://hsvmuseum.org/eventcalendar/docent-led-public-tour-the-elegant-vessel/
LOCATION:AL
CATEGORIES:Docent-led Gallery Walk,Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210404T120000
DTEND;TZID=UTC:20210404T170000
DTSTAMP:20260403T221826
CREATED:20201221T194943Z
LAST-MODIFIED:20210324T154945Z
UID:7486-1617537600-1617555600@hsvmuseum.org
SUMMARY:CLOSING DAY: Looking at the Collection: The Elegant Vessel
DESCRIPTION:Closing Day\nLooking at the Collection: The Elegant Vessel\nSunday\, April 4 | 12 p.m. – 5 p.m.\nEnjoy a last chance to view Looking at the Collection: The Elegant Vessel. Assuming the form of a cup\, bowl\, pitcher\, or vase used for holding liquids or other contents\, the vessel as a utilitarian object dates back millennia. The Elegant Vessel explores this essential form in various guises\, highlighting its inherent beauty as well as its capability to serve as a metaphor for extended meaning. The exhibition includes historical and contemporary works from the Museum’s permanent collection in glass\, ceramic\, metal and wood — all traditional materials used to create functional vessels\, but transformed into fine art in the hands of their skilled makers. Featured artists include Shane Fero\, Benjamin Moore\, Robin Rodgers\, Rosanne Somerson\, and many more. \nThe voluptuous forms of classic vessels provide the inspiration for many artists working today. Dante Marioni reveals a confident mastery of glass in his attenuated blown glass Leaf Vase Pair\, inspired by ancient Mediterranean prototypes. Striking a balance between form\, color\, proportion\, and process are Shane Fero’s engaging flameworked glass Jade Moon Bottle\, Rude Osolnik’s deceptively minimal turned wood Bowl\, and Benjamin Moore’s technically accomplished blown glass Selenium Red Interior Fold Platter. \n\n\n\n\nIn other hands\, the vessel form communicates beyond its inherent timeless beauty. Pat Musick’s steel\, oak and stone wall piece\, Treasure\, captures an essential element of nature in its porous and fluid grasp. And Rosanne Somerson’s mahogany and mother of pearl sculpture\, Lucky at Love\, features a textured iridescent bowl held aloft\, suggesting a metaphorical container for something that cannot be contained. With this exhibition we salute the enduring vessel in its many refined possibilities\, and thank those artists whose creative talents have expanded our appreciation and view of this familiar yet iconic form. Organized by HMA.
URL:https://hsvmuseum.org/eventcalendar/closing-day-looking-at-the-collection-the-elegant-vessel/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210425T120000
DTEND;TZID=UTC:20210425T170000
DTSTAMP:20260403T221826
CREATED:20201221T195523Z
LAST-MODIFIED:20201221T195523Z
UID:7490-1619352000-1619370000@hsvmuseum.org
SUMMARY:CLOSING DAY: Will Henry Stevens: Naturalist/Modernist
DESCRIPTION:Closing Day\nWill Henry Stevens: Naturalist/Modernist\nSunday\, April 25 | 12 p.m. – 5 p.m.\nEnjoy a last chance to view Will Henry Stevens: Naturalist/Modernist. This exhibition presents the work of American artist Will Henry Stevens (1881-1949)\, a lifelong naturalist and important modernist painter known for his two distinct artistic styles: Representational Naturalism and Southern Modernism. Stevens clearly separated his two bodies of work\, exhibiting his rural Southern landscapes and his non-objective abstractions at different galleries. Though seemingly disconnected\, his individual styles are part of a larger whole. Each style was born from the soul of an artist strongly influenced by his reverence for the Southern landscape. \nAlthough born and raised in Indiana\, Stevens spent much of his adult life teaching in Louisiana and summering in western North Carolina. Those environs — particularly the rivers and bayous of New Orleans and the Southern Appalachian Mountains — inspired him to capture the changing landscapes in his colorful and lyrical works. Stevens absorbed diverse influences throughout his career\, including the writings of transcendentalist philosophers Whitman\, Thoreau\, and Emerson\, Chinese Sung Dynasty paintings\, and the art and writings of Wassily Kandinsky. Over his lifetime Stevens constantly experimented with styles and media\, but his work never lost its inextricable link to nature. Organized by HMA.
URL:https://hsvmuseum.org/eventcalendar/closing-day-will-henry-stevens-naturalist-modernist/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210502T120000
DTEND;TZID=UTC:20210502T170000
DTSTAMP:20260403T221826
CREATED:20201221T194733Z
LAST-MODIFIED:20201221T194733Z
UID:7485-1619956800-1619974800@hsvmuseum.org
SUMMARY:CLOSING DAY: YAM 2021: Exhibition for Youth Art Month
DESCRIPTION:Closing Day\nYAM 2021: Exhibition for Youth Art Month\nSunday\, May 2 | 12 p.m. – 5 p.m.\nEnjoy a last chance to view YAM 2021: Exhibition for Youth Art Month\, an annual gathering of exuberant artwork from North Alabama K-12 students\, organized in observance of Youth Art Month. Accompanied by the annual Visual Arts Achievement Exhibition\, which presents the blue ribbon finalist works of middle and high school students in the 5th Congressional District. Organized by HMA.
URL:https://hsvmuseum.org/eventcalendar/closing-day-yam-2021-exhibition-for-youth-art-month/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210523T120000
DTEND;TZID=UTC:20210523T170000
DTSTAMP:20260403T221826
CREATED:20201221T195100Z
LAST-MODIFIED:20201221T195100Z
UID:7487-1621771200-1621789200@hsvmuseum.org
SUMMARY:CLOSING DAY: Encounters: Althea Murphy-Price
DESCRIPTION:Closing Day\nEncounters: Althea Murphy-Price\nSunday\, May 23 | 12 p.m. – 5 p.m.\nEnjoy a last chance to view Encounters: Althea Murphy-Price. The accomplished works of this mid-career printmaker and sculptor from Knoxville\, TN explore the links between individuality and assimilation\, and their influence on culture and personal identity. Murphy-Price often manipulates manufactured synthetic and human hair\, emphasizing its role as embellishment\, as well as its ability to signify racial identity. She explains\, “I am fascinated by the inexplicable link between the subject of hair and its influence on our social culture and personal identity. Much of my inspiration has derived from hair’s significant relevance to Black American culture and community.” Murphy-Price uses both hair and hair accessories to create prints and sculptural installations\, including signature Hair Rugs which are created by dusting synthetic hair over a lace overlays to create striking carpet-like patterns. \nMurphy-Price’s prints area fitting complement to her sculptural applications of hair\, each referencing and mimicking one element of the seemingly endless universe of artificial hair. The artist creates these works via the process of photolithography\, in essence taking a photo exposure to capture information from the actual object\, and then translating it into a print. In some\, screen-printed elements are added to lithographic images of hair arrangements to look like actual hair ties. “My desire with these prints is to deceive the eye\,” the artist observes\, “so that one will look\, and look again\, and question whether it’s the real thing or not.” \nMurphy-Price received her BA in studio art from Spelman College in Atlanta. She went on to earn a Master of Arts in printmaking and painting from Purdue University and earned her Master of Fine Arts at the Tyler School of Art\, Temple University. She is currently Associate Professor of Printmaking at the University of Tennessee in Knoxville. Organized by HMA.
URL:https://hsvmuseum.org/eventcalendar/closing-day-encounters-althea-murphy-price/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210523T140000
DTEND;TZID=UTC:20210523T154500
DTSTAMP:20260403T221826
CREATED:20201221T192849Z
LAST-MODIFIED:20201221T192849Z
UID:7477-1621778400-1621784700@hsvmuseum.org
SUMMARY:Docent-Led Public Tour: Encounters: Althea Murphy-Price
DESCRIPTION:Docent-Led Public Tour:\nEncounters: Althea Murphy-Price\nSunday\, May 23 | 2 p.m. & 3 p.m. \nREGISTER FOR TOUR\n\nEnjoy a public\, docent-led tour of Encounters: Althea Murphy-Price on closing day. There will be two tours\, one at 2 p.m. and one at 3 p.m. The tours are included with general admission but registration is required. Learn more and register at the button above. \nThe accomplished works of this mid-career printmaker and sculptor from Knoxville\, TN explore the links between individuality and assimilation\, and their influence on culture and personal identity. Murphy-Price often manipulates manufactured synthetic and human hair\, emphasizing its role as embellishment\, as well as its ability to signify racial identity. She explains\, “I am fascinated by the inexplicable link between the subject of hair and its influence on our social culture and personal identity. Much of my inspiration has derived from hair’s significant relevance to Black American culture and community.” Murphy-Price uses both hair and hair accessories to create prints and sculptural installations\, including signature Hair Rugs which are created by dusting synthetic hair over a lace overlays to create striking carpet-like patterns. \nMurphy-Price’s prints area fitting complement to her sculptural applications of hair\, each referencing and mimicking one element of the seemingly endless universe of artificial hair. The artist creates these works via the process of photolithography\, in essence taking a photo exposure to capture information from the actual object\, and then translating it into a print. In some\, screen-printed elements are added to lithographic images of hair arrangements to look like actual hair ties. “My desire with these prints is to deceive the eye\,” the artist observes\, “so that one will look\, and look again\, and question whether it’s the real thing or not.” \nMurphy-Price received her BA in studio art from Spelman College in Atlanta. She went on to earn a Master of Arts in printmaking and painting from Purdue University and earned her Master of Fine Arts at the Tyler School of Art\, Temple University. She is currently Associate Professor of Printmaking at the University of Tennessee in Knoxville. Organized by HMA.
URL:https://hsvmuseum.org/eventcalendar/docent-led-public-tour-encounters-althea-murphy-price-2/
LOCATION:AL
CATEGORIES:Docent-led Gallery Walk,Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210612T100000
DTEND;TZID=UTC:20210612T170000
DTSTAMP:20260403T221826
CREATED:20210302T174309Z
LAST-MODIFIED:20210302T174309Z
UID:7839-1623492000-1623517200@hsvmuseum.org
SUMMARY:CLOSING DAY: 2021 Gala Art Exhibition & Featured Artist
DESCRIPTION:Closing Day\n2021 Gala Art Exhibition and 2021 Gala Featured Artist: Millie Gosch\nSaturday\, June 12 | 10 a.m. – 5 p.m.\nEnjoy a last chance to view 2021 Gala Art Exhibition. This important fundraiser presents approximately 150 artworks in a range of media and styles\, to be auctioned to the highest bidder during the annual Gala events. The Gala Featured Artist for 2021 is painter Millie Gosch\, who currently lives and works in College Park\, GA. Organized by HMA.
URL:https://hsvmuseum.org/eventcalendar/closing-gala-2021/
LOCATION:AL
CATEGORIES:Exhibition Closing,GALA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210711T120000
DTEND;TZID=UTC:20210711T170000
DTSTAMP:20260403T221826
CREATED:20201221T195346Z
LAST-MODIFIED:20201221T195346Z
UID:7489-1626004800-1626022800@hsvmuseum.org
SUMMARY:CLOSING DAY: Impressionist Landscapes from the Sellars Collection
DESCRIPTION:Closing Day\nImpressionist Landscapes from the Sellars Collection\nSunday\, July 11 | 12 p.m. – 5 p.m.\nEnjoy a last chance to view Impressionist Landscapes from the Sellars Collection. With the acquisition of the Sellars Collection of Art by American Women in 2008\, an important holding of paintings\, drawings and sculptures was added to the Museum’s permanent collection. The Collection celebrates the achievements of American women artists active between 1850 and 1940\, and provides a counterpoint to the Museum’s holdings of regionally and nationally significant contemporary art. \nImpressionist Landscapes From the Sellars Collection focuses on the strong pull that the natural world had on American women artists during the late 19th and early 20th centuries. The exhibition emphasizes the generation of artists who emerged during and in the aftermath of the American Impressionist movement (1880-1920). Many of these artists were the students and sketching partners of the seminal figures in the development of Impressionism in America\, such as William Merritt Chase\, Willard L. Metcalf\, John Henry Twachtman and Robert Henri.
URL:https://hsvmuseum.org/eventcalendar/closing-day-impressionist-landscapes-from-the-sellars-collection/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210711T140000
DTEND;TZID=UTC:20210711T160000
DTSTAMP:20260403T221826
CREATED:20210315T165739Z
LAST-MODIFIED:20210315T165739Z
UID:8033-1626012000-1626019200@hsvmuseum.org
SUMMARY:Docent-Led Public Tour: Impressionist Landscapes from the Sellars Collection
DESCRIPTION:Docent-Led Public Tour:\nImpressionist Landscapes from the Sellars Collection\nSunday\, July 11 | 2 p.m. & 3 p.m. \nREGISTER FOR TOUR\n\nEnjoy a public\, docent-led tour of Impressionist Landscapes from the Sellars Collection on closing day. There will be two tours\, one at 2 p.m. and one at 3 p.m. The tours are included with general admission but registration is required. Learn more and register at the button above. \nImpressionist Landscapes From the Sellars Collection focuses on the strong pull that the natural world had on American women artists during the late 19th and early 20th centuries. The exhibition emphasizes the generation of artists who emerged during and in the aftermath of the American Impressionist movement (1880-1920). Many of these artists were the students and sketching partners of the seminal figures in the development of Impressionism in America\, such as William Merritt Chase\, Willard L. Metcalf\, John Henry Twachtman and Robert Henri. \nThis exhibition presents over 30 exquisite landscapes in all seasons\, varying in scenic subject matter from snow-filled views to sun-drenched hillsides\, as well as harbor scenes\, woodland glades\, and desert vistas. Featured artists include Irene Von Horvath\, Edna Lawrence\, Margaret Jordan Patterson\, Alice Pelton\, Lilla Cabot Perry\, and many more. \nThe artists included in the exhibition were primarily concerned with capturing the effects of light\, color\, and atmosphere in their landscapes\, achieved in large measure by painting directly from nature—out-of-doors—rather than in the studio. Though not as well-known as their Impressionist predecessors\, this generation of landscape painters flourished in areas such Old Lyme\, Connecticut; Cape Ann\, Massachusetts; New Hope\, Pennsylvania; and Woodstock\, New York\, as well as elsewhere in New England and across the Southwest.
URL:https://hsvmuseum.org/eventcalendar/docent-led-public-tour-impressionist-landscapes-sellars-collection-closing/
LOCATION:AL
CATEGORIES:Docent-led Gallery Walk,Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210808T120000
DTEND;TZID=UTC:20210808T170000
DTSTAMP:20260403T221826
CREATED:20201221T200019Z
LAST-MODIFIED:20201221T200019Z
UID:7491-1628424000-1628442000@hsvmuseum.org
SUMMARY:CLOSING DAY: Huntsville Photographic Society: 2021 Members' Showcase
DESCRIPTION:Closing Day\nHuntsville Photographic Society: 2021 Members’ Showcase\nSunday\, Aug. 8 | 12 p.m. – 5 p.m.\nEnjoy a last chance to view Huntsville Photographic Society: 2021 Members’ Showcase. This exhibition features an annual juried selection of approximately 50 outstanding photographs by members of the Huntsville Photographic Society\, founded in 1964 to promote the art and science of photography in Huntsville and surrounding areas through informative programs\, member contests\, and special events. Organized by HMA and the Huntsville Photographic Society.
URL:https://hsvmuseum.org/eventcalendar/closing-day-hps-2021/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210829T080000
DTEND;TZID=UTC:20210829T170000
DTSTAMP:20260403T221826
CREATED:20201221T200524Z
LAST-MODIFIED:20201221T200524Z
UID:7494-1630224000-1630256400@hsvmuseum.org
SUMMARY:CLOSING DAY: Encounters: Greely Myatt
DESCRIPTION:Closing Day\nEncounters: Greely Myatt\nSunday\, Aug. 29 | 12 p.m. – 5 p.m.\nEnjoy a last look at Encounters: Greely Myatt. Greely Myatt is widely recognized for his whimsical sculptural objects and monumental installations made from found materials like flooring\, neon lights\, metal scraps\, and discarded signage scavenged from the greater Memphis area. Engaging with surrealism\, pop\, folk\, and outsider art\, he has developed a compelling visual language of reimagined but recognizable forms\, often reinterpreting literal motifs like comic strips and speech bubbles in his works. In addition to found materials\, Myatt also incorporates elements like plants\, quilts\, and rugs into his pieces to reference his Mississippi childhood\, setting them against abstract elements such as light\, air\, and negative space to spark a visual and mental dialogue.
URL:https://hsvmuseum.org/eventcalendar/closing-day-encounters-greely-myatt/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210829T140000
DTEND;TZID=UTC:20210829T160000
DTSTAMP:20260403T221826
CREATED:20210315T165858Z
LAST-MODIFIED:20210723T185049Z
UID:8034-1630245600-1630252800@hsvmuseum.org
SUMMARY:Docent-Led Public Tour: Encounters: Greely Myatt
DESCRIPTION:Docent-Led Public Tour:\nEncounters: Greely Myatt\nSunday\, August 29 | 2 p.m. & 3 p.m. \nREGISTER FOR TOUR\n\nEnjoy a public\, docent-led tour of Encounters: Greely Myatt on closing day. There will be two tours\, one at 2 p.m. and one at 3 p.m. The tours are included with general admission but registration is required. Learn more and register at the button above. \nGreely Myatt is widely recognized for his whimsical sculptural objects and monumental installations made from found materials like flooring\, neon lights\, metal scraps\, and discarded signage scavenged from the greater Memphis area. Engaging with surrealism\, pop\, folk\, and outsider art\, he has developed a compelling visual language of reimagined but recognizable forms\, often reinterpreting literal motifs like comic strips and speech bubbles in his works. In addition to found materials\, Myatt also incorporates elements like plants\, quilts\, and rugs into his pieces to reference his Mississippi childhood\, setting them against abstract elements such as light\, air\, and negative space to spark a visual and mental dialogue. \nMyatt was born in Mississippi and lives and works in West Memphis\, AR. He received his MFA from the University of Mississippi and his BFA from Delta State University\, and is a long-time professor of art at The University of Memphis. Organized by HMA.
URL:https://hsvmuseum.org/eventcalendar/docent-led-public-tour-encounters-greely-myatt-2/
LOCATION:AL
CATEGORIES:Docent-led Gallery Walk,Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210926T120000
DTEND;TZID=UTC:20210926T170000
DTSTAMP:20260403T221826
CREATED:20201221T194444Z
LAST-MODIFIED:20201221T194444Z
UID:7483-1632657600-1632675600@hsvmuseum.org
SUMMARY:CLOSING DAY: WE THE PEOPLE: Portraits of Veterans in America by Mary Whyte
DESCRIPTION:Closing Day\nWE THE PEOPLE: Portraits of Veterans in America by Mary Whyte\nSunday\, September 26 | 12 p.m. – 5 p.m.\nEnjoy a last chance to view WE THE PEOPLE: Portraits of Veterans in America by Mary Whyte. \nIn 2010\, American artist\, author and teacher Mary Whyte set out on a mission to paint fifty large-scale watercolor portraits of what it means to be an American veteran today. Over seven years in the making\, WE THE PEOPLE: Portraits of Veterans in America took her across the United States to meet men and women of all ages and from all walks of life\, and paint some of our country’s truest patriots. Whyte’s WE THE PEOPLE\, which includes portraits of a Missouri dairy farmer\, Rhode Island lobsterman\, Pennsylvania science teacher\, South Carolina single mother\, and 46 other moving works\, is poised to become a national treasure honoring and connecting with men and women in uniform for generations to come. \nThe exhibition is accompanied by a 136 page book\, containing 67 color and 50 black and white illustrations and published by University of South Carolina Press.
URL:https://hsvmuseum.org/eventcalendar/closing-day-we-the-people-portraits-of-veterans-in-america-by-mary-whyte/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210926T140000
DTEND;TZID=UTC:20210926T160000
DTSTAMP:20260403T221826
CREATED:20210315T171017Z
LAST-MODIFIED:20210723T185943Z
UID:8035-1632664800-1632672000@hsvmuseum.org
SUMMARY:Docent-Led Public Tour: WE THE PEOPLE: Portraits of Veterans in America by Mary Whyte
DESCRIPTION:Docent-Led Public Tour:\nWE THE PEOPLE: Portraits of Veterans in America by Mary Whyte\nSunday\, Sept. 26 | 2 p.m. & 3 p.m. \nREGISTER FOR TOUR\n\nEnjoy a public\, docent-led tour of WE THE PEOPLE: Portraits of Veterans in America by Mary Whyte on closing day. There will be two tours\, one at 2 p.m. and one at 3 p.m. The tours are included with general admission but registration is required. Learn more and register at the button above. \nIn 2010\, American artist\, author and teacher Mary Whyte set out on a mission to paint fifty large-scale watercolor portraits of what it means to be an American veteran today. Over seven years in the making\, WE THE PEOPLE: Portraits of Veterans in America took her across the United States to meet men and women of all ages and from all walks of life\, and paint some of our country’s truest patriots. Whyte’s WE THE PEOPLE\, which includes portraits of a Missouri dairy farmer\, Rhode Island lobsterman\, Pennsylvania science teacher\, South Carolina single mother\, and 46 other moving works\, is poised to become a national treasure honoring and connecting with men and women in uniform for generations to come. \nThe exhibition is accompanied by a 136 page book\, containing 67 color and 50 black and white illustrations and published by University of South Carolina Press.
URL:https://hsvmuseum.org/eventcalendar/docent-led-public-tour-we-the-people-portraits-of-veterans-in-america-by-mary-whyte-2/
LOCATION:AL
CATEGORIES:Docent-led Gallery Walk,Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211024T140000
DTEND;TZID=UTC:20211024T160000
DTSTAMP:20260403T221826
CREATED:20210901T185159Z
LAST-MODIFIED:20210901T185625Z
UID:10122-1635084000-1635091200@hsvmuseum.org
SUMMARY:Docent-Led Public Tour: Whimsy & Artistry
DESCRIPTION:Docent-Led Public Tour:\nWhimsy & Artistry\, Curated by the Huntsville Museum of Art Docent Association\nSunday\, October 24| 2 & 3 p.m. \nEnjoy a public\, docent-led tour of Whimsy & Artistry\, Curated by the Huntsville Museum of Art Docent Association before it closes. There are two tours\, one at 2 p.m. and another at 3 p.m. They are included with general admission and free for members. To attend the tour\, meet the docent in the main lobby.
URL:https://hsvmuseum.org/eventcalendar/docent-led-public-tour-whimsy-artistry-2/
LOCATION:Huntsville Museum of Art\, 300 Church Street S.W.\, Huntsville\, AL\, 35801\, United States
CATEGORIES:Docent-led Gallery Walk,Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211031T120000
DTEND;TZID=UTC:20211031T170000
DTSTAMP:20260403T221826
CREATED:20210610T170758Z
LAST-MODIFIED:20210802T143541Z
UID:8429-1635681600-1635699600@hsvmuseum.org
SUMMARY:CLOSING DAY: Whimsy & Artistry
DESCRIPTION:Closing Day\nWhimsy & Artistry\nSunday\, October 31 | 12 p.m. – 5 p.m.\nEnjoy a last chance to view Whimsy & Artistry. The Huntsville Museum of Art Docent Association is honored to present their curated exhibition of works from the Museum’s permanent collection\, entitled Whimsy & Artistry. This exhibition will feature two and three-dimensional works of art with a colorful\, creative and whimsical subject matter. Featuring regional and national artists\, this exhibit highlights the fanciful\, humorous and playful nature of these selected works. Although this exhibit has a lighthearted feel\, there is exquisite craftsmanship and artistry displayed in these 30 works as well.
URL:https://hsvmuseum.org/eventcalendar/closing-day-whimsy-artistry/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211031T120000
DTEND;TZID=UTC:20211031T170000
DTSTAMP:20260403T221826
CREATED:20210802T143530Z
LAST-MODIFIED:20210826T175105Z
UID:9518-1635681600-1635699600@hsvmuseum.org
SUMMARY:CLOSING DAY: From the Mind's Eye
DESCRIPTION:Closing Day\nFrom the Mind’s Eye: Nonrepresentational Art from the Collection\nSunday\, October 31 | 12 p.m. – 5 p.m.\nEnjoy a last look at From the Mind’s Eye: Nonrepresentational Art from the Collection. Broadly speaking\, a work of art falls into one of three categories – representational art\, abstraction\, and nonrepresentational art. Representational art is characterized by the attempt to replicate an object or scene from the real world as accurately as possible. Abstraction runs the gamut from recognizable but altered subjects to depictions that have almost no relationship to their original source. Nonrepresentational art can be seen as the antithesis of representational artwork in that it has absolutely no reference to the real world. \nOur minds are geared to make sense of the world through the library of images that we carry with us. But some things just can’t be conveyed in a visual manner using the narrative vocabulary of images. Artists in the modern era began to explore new concepts of artmaking using color\, shape\, line\, texture and space to express things which cannot be seen\, including feelings\, emotions or experiences. \nFrom the Mind’s Eye features approximately 30 thoughtful yet intuitive artworks selected from the Museum’s extensive permanent collection. The works date from the latter half of the 20th century to the present\, and convey a sensation or experience without the use of recognizable imagery. Some of these works express the simple desire to create for the sake of creation — and the beauty that results from that act—through mark making\, patterning or even mathematical design. As you explore the galleries\, try to open yourself up to what each artist may be attempting to communicate— from pressure and dread to joy and the infinite. There is no right or wrong interpretation! \nThe exhibition features 22 artists\, including Richard Anuszkiewicz\, Chryssa\, John Chamberlain\, Richard Diebenkorn\, Sol Le Witt\, Rocio Rodriguez and Richard Zoellner\, among others. A number of works on display have not been on public view in over 25 years. From the Mind’s Eye: Nonrepresentational Art from the Collection will continue in the Adtran\, Jurenko and Thurber galleries from August 22 – October 31\, 2021.
URL:https://hsvmuseum.org/eventcalendar/closing-day-from-the-minds-eye/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211031T120000
DTEND;TZID=UTC:20211031T170000
DTSTAMP:20260403T221826
CREATED:20210823T162954Z
LAST-MODIFIED:20210823T162954Z
UID:9952-1635681600-1635699600@hsvmuseum.org
SUMMARY:CLOSING DAY: Recent Acquisitions
DESCRIPTION:Closing Day\nRecent Acquisitions\nSunday\, Aug. 29 | 12 p.m. – 5 p.m.\nEnjoy a last look at Recent Acquisitions. The Huntsville Museum of Art is pleased to present the latest version of this recurring exhibition\, showcasing artworks recently added to its permanent collection within the last year. Some were purchased for the collection\, while others were gifts from generous donors. Some works will be familiar to those who came to view some of our past exhibitions\, and others are by artists who are household names. All were carefully reviewed by the Museum’s Collections and Acquisitions Committee to fit the criteria established for the collection\, and are compatible with the Museum’s collecting objectives and goals. \nRecent acquisitions exhibitions are by nature a wonderful hodgepodge. Works of different styles and media are displayed together\, sometimes with no unifying characteristic other than the fact that they came into the collection within a given period of time. But these shows serve an important purpose – they demonstrate the scope of the Museum’s collecting interests and provide us the opportunity to acknowledge generous donors whose gifts help our collection grow.
URL:https://hsvmuseum.org/eventcalendar/closing-day-recent-acquisitions/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211127T110000
DTEND;TZID=UTC:20211127T150000
DTSTAMP:20260403T221826
CREATED:20210929T161757Z
LAST-MODIFIED:20210929T161757Z
UID:10714-1638010800-1638025200@hsvmuseum.org
SUMMARY:Docent-Led Public Tour: 9/11 and Beyond
DESCRIPTION:Docent-Led Public Tour:\n9/11 and Beyond: Photographs from The Associated Press\nSaturday\, November 27 | 11 a.m. & 2 p.m. \nEnjoy a public\, docent-led tour of 9/11 and Beyond: Photographs from The Associated Press before closing day. There are two tours\, one at 11 a.m. and another at 2 p.m. They are included with general admission and free for members. To attend the tour\, meet the docent in the main lobby.
URL:https://hsvmuseum.org/eventcalendar/docent-led-public-tour-9-11-and-beyond-3/
LOCATION:AL
CATEGORIES:Docent-led Gallery Walk,Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211128T080000
DTEND;TZID=UTC:20211128T170000
DTSTAMP:20260403T221826
CREATED:20201221T194602Z
LAST-MODIFIED:20201221T194602Z
UID:7484-1638086400-1638118800@hsvmuseum.org
SUMMARY:CLOSING DAY: 9/11 and Beyond: Photographs from The Associated Press
DESCRIPTION:Closing Day\n9/11 and Beyond: Photographs from The Associated Press\nSunday\, November 28 | 12 p.m. – 5 p.m.\nEnjoy a last chance to view 9/11 and Beyond: Photographs from The Associated Press. \nThe iconic twin towers of New York City’s World Trade Center were a triumph of human imagination and will. Completed in 1973\, the towers stood at 110 stories each\, accommodating 50\,000 workers and 200\,000 daily visitors in a 10 million square foot space. They were the hub of the bustling Financial District\, a top tourist attraction and a symbol of America’s steadfast devotion to progress and the future. \nOn September 11\, 2001\, the Center became the target of a massive terrorist attack that took the lives of nearly 3\,000 people. The disaster also radically altered the city’s skyline\, destroying the twin columns of glass and steel that over the years had come to embody New York itself. \nOn the 20th anniversary of the 9/11 attacks\, this exhibition looks back at the World Trade Center’s construction\, destruction\, and slow reemergence through 50 hand-selected photographs from the archives of The Associated Press. Organized by the Huntsville Museum of Art and The Associated Press.
URL:https://hsvmuseum.org/eventcalendar/closing-day-9-11-and-beyond-photographs-from-the-associated-press/
LOCATION:AL
CATEGORIES:Exhibition Closing
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211128T120000
DTEND;TZID=UTC:20211128T170000
DTSTAMP:20260403T221826
CREATED:20211115T190705Z
LAST-MODIFIED:20211115T190705Z
UID:11045-1638100800-1638118800@hsvmuseum.org
SUMMARY:PNC Presents Community Free Day
DESCRIPTION:Enjoy free admission to the Museum on closing day of 9/11 and Beyond: Photographs from The Associated Press\, thanks to our presenting sponsor\, PNC Bank. On Sunday\, Nov. 28\, PNC is sponsoring free admission for all guests. View the moving exhibition of photography before it’s gone! The Museum and Museum Store will be open from 12 p.m. to 5 p.m.
URL:https://hsvmuseum.org/eventcalendar/pnc-presents-community-free-day/
LOCATION:Huntsville Museum of Art\, 300 Church Street S.W.\, Huntsville\, AL\, 35801\, United States
CATEGORIES:Exhibition Closing
END:VEVENT
END:VCALENDAR