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X-WR-CALDESC:Events for Huntsville Museum of Art
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DTSTART:20230101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20231012T180000
DTEND;TZID=UTC:20231012T200000
DTSTAMP:20260526T140724
CREATED:20230804T182340Z
LAST-MODIFIED:20230808T192607Z
UID:16740-1697133600-1697140800@hsvmuseum.org
SUMMARY:Lecture & Preview Party for Ginny Ruffner: Reforestation of the Imagination
DESCRIPTION:Lecture & Preview Party with Grant Kirkpatrick for Ginny Ruffner: Reforestation of the Imagination\n\nGenerous Support for this exhibition is provided by Art Bridges \nThursday\, October 12 | 6 – 8 p.m.\nEnjoy an exclusive first look at Ginny Ruffner: Reforestation of the Imagination before it opens to the public. Grant Kirkpatrick will lead the event with a lecture. \nReforestation of the Imagination combines traditional sculpture with augmented reality (AR). By using technology to overlay digital information onto sculptural objects\, two disparate environments are portrayed. \nThe setting is an apocalyptic landscape far in the future. The initial environment consists of five landmasses\, which support the glass stumps. Except for the painted shelf mushrooms and tree rings on the stumps and logs\, the scene is colorless. The landmasses surround a sixth rocky outcropping that features a large fiberglass stump. The central stump sprouts beautifully grotesque bronze\, then glass appendages. This improbable growth has survived the devastation to create a new botany. \n“Other than the central stump\, the landscape appears at first glance to be barren. Yet\, upon viewing the tree rings aided by AR technology a second environment is revealed. Plants appear (both fruit and flowers) which have evolved from existing flora. They have developed dramatic appendages and the skills necessary to adapt and flourish in this radically different environment. From accessing nutrients in ways that symbiotically improve their surrounding conditions\, to cultivating protections from new threats\, these adaptations are unexpected\, beautiful\, and optimistic. This is nature reimagining itself. The imagination cannot be exterminated. It just recreates itself.” —Ginny Ruffner \nAbout the Artist: \nSeattle-based artist Ginny Ruffner trained at the University of Georgia\, graduating with honors and an MFA in drawing and painting. Ruffner has had more than eighty five solo exhibitions and several hundred group shows\, and her flameworked and mixed-media sculptures and installations can be found in numerous national and international collections. Seattle public art installations include a 30 foot tall kinetic water feature downtown and a permanent installation in the Seattle Art Museum’s Olympic Sculpture Park. Recent augmented reality projects\, in collaboration with Grant Kirkpatrick\, include Weston Riff at Photo Center NW; Branches at Seattle International Film Festival; and Poetic Hybrids at the Seattle Art Museum. She has written two books and been the subject of an award-winning full-length documentary\, A Not So Still Life: The Ginny Ruffner Story (2010). Ruffner has lectured and taught extensively and has served as artist-inresidence at schools and universities around the world. \nGrant Kirkpatrick is an emerging animator and new media artist based in Seattle. After studying at Cornish College of the Arts for three years\, he graduated with a focus on motion design and animation. Coming from a fine arts background\, Kirkpatrick has considerable interest in the intersection of art and technology\, particularly VR/AR\, game design\, and mixed-media work. \nGinny Ruffner: Reforestation of the Imagination is organized by the Renwick Gallery of the Smithsonian American Art Museum. Generous support for this exhibition is provided by Art Bridges\, the Smithsonian American Women’s History Initiative\, Elizabeth and James Eisenstein\, Ed and Kathy Fries\, Shelby and Frederick Gans\, James Renwick Alliance\, Colleen and John Kotelly\, Betty and Whitney MacMillan\, Jacqueline B. Mars\, Kim and Jon Shirley Foundation\, and Myra and Harold Weiss.
URL:https://hsvmuseum.org/eventcalendar/lecture-preview-party-for-ginny-ruffner-reforestation-of-the-imagination/
LOCATION:Huntsville Museum of Art\, 300 Church Street S.W.\, Huntsville\, AL\, 35801\, United States
CATEGORIES:Exhibition Opening,Exhibition Preview Party,Exhibition Program
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231013T100000
DTEND;TZID=UTC:20231013T170000
DTSTAMP:20260526T140724
CREATED:20230810T150856Z
LAST-MODIFIED:20230811T144506Z
UID:16866-1697191200-1697216400@hsvmuseum.org
SUMMARY:Member Preview Day of Ginny Ruffner: Reforestation of the Imagination
DESCRIPTION:Member Preview Day\nGinny Ruffner: Reforestation of the Imagination\nFriday\, October 13 | 10 a.m. – 5 p.m.\nMuseum Members Only\nThe Huntsville Museum of Art invites our Museum Members to attend an exclusive\, Members-only preview of our newest exhibition\, Ginny Ruffner: Reforestation of the Imagination\, the day before it opens to the public. Docents will be leading two tours of this exhibition for our Members. Take a deep dive during your preview day by attending a tour at 11 a.m. or 2 p.m. \nGinny Ruffner: Reforestation of the Imagination combines traditional sculpture with augmented reality (AR). By using technology to overlay digital information onto sculptural objects\, two disparate environments are portrayed. The setting is an apocalyptic landscape far in the future. The initial environment consists of five landmasses\, which support the glass stumps. Except for the painted shelf mushrooms and tree rings on the stumps and logs\, the scene is colorless. The landmasses surround a sixth rocky outcropping that features a large fiberglass stump. The central stump sprouts beautifully grotesque bronze\, then glass appendages. This improbable growth has survived the devastation to create a new botany. \n“Other than the central stump\, the landscape appears at first glance to be barren. Yet\, upon viewing the tree rings aided by AR technology a second environment is revealed. Plants appear (both fruit and flowers) which have evolved from existing flora. They have developed dramatic appendages and the skills necessary to adapt and flourish in this radically different environment. From accessing nutrients in ways that symbiotically improve their surrounding conditions\, to cultivating protections from new threats\, these adaptations are unexpected\, beautiful\, and optimistic. This is nature reimagining itself. The imagination cannot be exterminated. It just recreates itself.” —Ginny Ruffner \nGinny Ruffner: Reforestation of the Imagination is organized by the Renwick Gallery of the Smithsonian American Art Museum. Generous support for this exhibition is provided by Art Bridges\, the Smithsonian American Women’s History Initiative\, Elizabeth and James Eisenstein\, Ed and Kathy Fries\, Shelby and Frederick Gans\, James Renwick Alliance\, Colleen and John Kotelly\, Betty and Whitney MacMillan\, Jacqueline B. Mars\, Kim and Jon Shirley Foundation\, and Myra and Harold Weiss. \n \n \n  \nThank you\, Sponsors!\nPresident’s Circle Sponsors:\nDee and Richard Kowallik \nArtist’s Circle Sponsors:\nCarol and Jim Tevepaugh \n 
URL:https://hsvmuseum.org/eventcalendar/member-preview-day-of-ginny-ruffner-reforestation-of-the-imagination/
LOCATION:Huntsville Museum of Art\, 300 Church Street S.W.\, Huntsville\, AL\, 35801\, United States
CATEGORIES:Exhibition Opening,Exhibition Program
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231014
DTEND;VALUE=DATE:20231015
DTSTAMP:20260526T140724
CREATED:20230804T201646Z
LAST-MODIFIED:20230810T144849Z
UID:16767-1697241600-1697327999@hsvmuseum.org
SUMMARY:OPENING DAY: Ginny Ruffner: Reforestation of the Imagination
DESCRIPTION:Opening Day\nGinny Ruffner: Reforestation of the Imagination\nSaturday\, October 14 | 10 p.m. – 5 p.m.\nView the Museum’s newest exhibition\, Ginny Ruffner: Reforestation of the Imagination. \nGinny Ruffner: Reforestation of the Imagination combines traditional sculpture with augmented reality (AR). By using technology to overlay digital information onto sculptural objects\, two disparate environments are portrayed. The setting is an apocalyptic landscape far in the future. The initial environment consists of five landmasses\, which support the glass stumps. Except for the painted shelf mushrooms and tree rings on the stumps and logs\, the scene is colorless. The landmasses surround a sixth rocky outcropping that features a large fiberglass stump. The central stump sprouts beautifully grotesque bronze\, then glass appendages. This improbable growth has survived the devastation to create a new botany. \n“Other than the central stump\, the landscape appears at first glance to be barren. Yet\, upon viewing the tree rings aided by AR technology a second environment is revealed. Plants appear (both fruit and flowers) which have evolved from existing flora. They have developed dramatic appendages and the skills necessary to adapt and flourish in this radically different environment. From accessing nutrients in ways that symbiotically improve their surrounding conditions\, to cultivating protections from new threats\, these adaptations are unexpected\, beautiful\, and optimistic. This is nature reimagining itself. The imagination cannot be exterminated. It just recreates itself.” —Ginny Ruffner \nGinny Ruffner: Reforestation of the Imagination is organized by the Renwick Gallery of the Smithsonian American Art Museum. Generous support for this exhibition is provided by Art Bridges\, the Smithsonian American Women’s History Initiative\, Elizabeth and James Eisenstein\, Ed and Kathy Fries\, Shelby and Frederick Gans\, James Renwick Alliance\, Colleen and John Kotelly\, Betty and Whitney MacMillan\, Jacqueline B. Mars\, Kim and Jon Shirley Foundation\, and Myra and Harold Weiss. \n   \n  \nThank you\, Sponsors!\nPresident’s Circle Sponsors:\nDee and Richard Kowallik \nArtist’s Circle Sponsors:\nCarol and Jim Tevepaugh
URL:https://hsvmuseum.org/eventcalendar/opening-day-ginny-ruffner-reforestation-of-the-imagination/
LOCATION:Huntsville Museum of Art\, 300 Church Street S.W.\, Huntsville\, AL\, 35801\, United States
CATEGORIES:Exhibition Opening
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